With the publication of his newest novel "Time to Let Go," Christoph Fischer brings the terrible and debilitating disease of Alzheimer's Disease to the fore.
In the following guest-blog, he delves deeper into it. He also sheds light onto real and imagined characters and the back story for his book. It is a fascinating, albeit frightening, revelation especially for those of us who have been fortunate enough not (yet) to have to deal with this illness, nor its inherent care-taker pressures.
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“The Real
Biddy Korhonen”
by Christoph Fischer
I
grew up with only a few friends and with two older siblings who were miles
ahead of me in their lives. My mother was a busy woman and so I spent a lot of
time at my aunt’s house. She had always wanted to have four children but lost
one child at birth. Her other three children were much older and didn’t need
her much anymore, so my visits to her house filled a gap for her, in the same
way as her attention to me filled a need in me. A match made in heaven.
Philomena,
or Minna, as we called her, remained a source of happiness and encouragement
throughout my life. I was always welcome and treated like a precious gift. She
smoked, but she outlived both of her sisters (taken in their 40s by cancer).
In
her late 70s, Minna was diagnosed with Alzheimer’s Disease. Well, I thought, at
least she lives, belittling her misfortune without much awareness.
The
next time I saw her, her trademark happiness however seemed far away. She was
crying bitterly because she had lost her hearing aid, a very expensive one,
too. Suddenly her life seemed to revolve around retrieving things. She was
spared the physical pain of her sisters, but she suffered severe mental
torture.
She
fortunately reached a happier stage as medication and care helped reduce the
misery in her life, but the attention she needed was a huge toll to the family.
Despite her memory loss, she seemed to vaguely recognise me; me, the ‘child’
that lived abroad and who rarely came to visit. She had not lost her warmth and
happiness, or maybe she had just regained it after the bad patch I mentioned
earlier.
Very
recently I saw her again, almost unrecognisable: withdrawn, very unresponsive
and almost reduced to basic functioning.
Surprisingly,
she could still read and when I came to see her for a second time her eyes
shone as if she did recognise me. I spoke an emotional goodbye to her and her
hand was shaky and excited as she listened to my speech. She even responded by
talking, using words that didn’t fit exactly but which expressed an emotion similar
to what one would expect from a loving aunt in such a situation.
With
her loving kindness in mind I created Biddy, the mother in “Time to let Go,” a
selfless, giving woman, who even in her illness manages to show her innate
kindness. I know it would be wrong to
praise her for a gift that many other patients do not have, through no fault of
their own. Losing one’s memory and control of one’s life is a terrible thing
that you can only understand when it happens to you.
“Time
to Let Go” is partly meant as a tribute to my brave aunt and to the wonderful
people who help making her life dignified and as happy as is possible.
My
book is inspired by personal experiences with sufferers from the disease.
Nowadays, almost everyone knows someone who has relatives with Alzheimer’s and
gradually stories and anecdotes about these patients have entered the social
dinner party circuit and become common knowledge.
Alzheimer is a dreadful disease that cannot be easily understood in its gravity and the complex,
frustrating and far reaching consequences for the victims and their families.
There are different stages of the disease as it progresses and patients can
move through them at different paces and in varying intensity. My book does not
attempt to be a complete representation or a manual of how to deal with the
disease. The illness affects every patient differently and there are many
stories to tell and many aspects to cover. I hope that I can bring some of
those issues to the surface and help to make the gravity of the disease more
prominent. I did, however, decide to stay firmly in fiction and family drama
territory, and not to write a dramatized documentary on the subject.
I
have witnessed several different approaches to handling the disease by both
individuals and entire families, and I have learned that the people involved in
every case need to work out what is best for them. In my book, a family works out their
particular approach, which is right for them. They have different ideas about
it and need to battle it out. These clashes fascinated me and I felt they were
worth exploring.
Issues
of caring at home, mobile care assistance or institutionalising patients are
personal and, depending on where in the world you are, every family has very
different options or limitations. The ending in my book must be seen in that
context: as an individual ‘best’ solution that uniquely fits the Korhonen
family.
There
are support groups, help-lines and many other sources available in most
countries. These will be able to advise specifically for each individual
situation.
I
can also recommend “Because We Care” by Fran Lewis. This fantastic book has a
comprehensive appendix with more or less everything you need to know about the
disease: Its stages, personal advice on caring, information, tools and help
available in the US.
For
consistency, I exclusively used material relating to a medium advanced stage of
the disease. To protect the privacy and dignity of the patients that inspired the
story I have altered all of the events and used both first and second hand
experiences and anecdotes. Nothing in this book has actually happened in that
way. Apart from some outer parallels between my characters and patients I
witnessed, any similarities with real people, alive or dead, are coincidental
and unintended.
The
airline plot is not based on any real incident but is inspired by my own
imagination. I used to work for an airline and so naturally, much of Hanna’s
life is based on my own experience of 15 years flying. I lived with the
awareness that every time a call bell goes off on a plane this could be a
matter of life and death. What happens to Hanna in the book has never happened
to me or anyone close to me. My flying life was not that extraordinary.
Fortunately.
But
every year airline crew are retrained in emergency procedures and aviation
medicine, and at least during those intense yearly re-training sessions your
mind cannot help considering the possibilities of such events.
The
modern trend of the ‘suing- and compensation-culture’ and the extent of it in
some cases worries me a little, which is why some of that concern found its way
into the book.
The
lifestyle of cabin crew and pilots is often falsely glorified as a glamorous
string of free holidays and leisure. A recent crew strike in the UK has brought
the profession into disrepute in the media, as fat cats and lazy bones.
My
book aims to shed a bit of light on the realities of flying. I enjoyed the life
and would not want to miss the experience but it is a tough life that demands
huge personal sacrifices and flexibility, sleep deprivation on a massive scale
and exposure to aggressive and abusive behaviour by a consumerist clientele. In
the global trend of cost cutting, salaries are going down and what used to be a
career is at risk of becoming a minimum wage job handed to people who have no
experience and who have no incentive to give it their all.
My
book is a tribute to my former colleagues in the airline industry, who, in my
opinion, are unsung heroes and a bunch of wonderful, hard-working and very
caring people.
What
makes Alzheimer so terrible? What is it that makes a memory so important to
one’s life that people compare its horrors to pain-inflicting diseases like
cancer? You are alive and physically well, you eat and function as a human, but as an Alzheimer patient you are bound to be suffering,
frustrated, depressed and unhappy.
Of
course it is ridiculous to compare the two diseases, but while a cancer patient
has still their awareness and choices, the Alzheimer sufferer is losing the
core of their being, everything they ever were.
How
can you define yourself if you cannot remember? You have had children, but you
won’t recognise them. You won awards, had a successful career, made people
happy, but you don’t know any of it. Who are you and what are you doing on the
planet? Who are the people around you? As the disease progresses, these things
become more intense and you can live in a mental prison of fear and
disorientation. Your brain won’t do as you want it to. The fear of losing ‘it’
altogether, for some is impossible to bear. You are about to lose everything
that was ever precious to you.
That
thought is frightening to all of us. It can happen to all of us. The worst
stage seems to be when patients still notice that something is wrong. We all
know how annoying it is when we just put something down and don’t remember
where. Imagine that happening to you all the time, every day, and you get an
idea of how it might feel. The
caretakers see their loved ones slowly drift away into a stranger.
Biddy’s
husband Walter, in my novel, becomes obsessed with preserving memories – his
own and others. He begins to write a family chronicle as a constructive outlet
for his fears. He is an important character with his musings about preserving
knowledge, memories and facts and he allowed me to bring in thoughts about the
disease on a different and more reflective level.
I
hope that I have managed to write about more than just the clinical side of the
disease. I stuck to the early stages of Alzheimer in the story because it
gave me the best opportunities to work these thoughts into the story. It allows
me to look back at Biddy’s past but with still a lot of hope.
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